Embedded Files
Publication
2022 Livia Daza-Paris, Unearthing Undercover: Intimations relating campesinos, the more-than-human and the politically disappeared in my art practice. Performance Research, 26 (8). Text in English available online:englishhttps://doi.org/10.1080/13528165.2021.2088114.
Publication
2020 Livia Daza-Paris, Unexpected Witnesses: an artistic practice from a “plurality of ways of knowing” surrounding political disappearance, Performance Research, Volume 24, Issue 7. A peer-reviewed article published by Taylor & Francis Group on 17/02/2020. Text in English available online:englishhttps://www.tandfonline.com/doi/full/10.1080/13528165.2019.1717866.
Review
2020 OPTICA, Un dos tres por mí y mis compañeras qui était amorcée depuis le 18 janvier 2020. Entretien audio sur fond de visite commentée avec la commissaire Nuria Carton de Grammont.Cette exposition porte un regard collectif sur les artistes pionnières de la performance latino-québécoise actives à Montréal depuis les années quatre-vingt-dix jusqu’à nos jours.français https://soundcloud.com/user-432657356/entretien-de-nuria-carton-de-grammont-avec-esther-bourdages-optica
Esta exposición arroja una mirada colectiva a las artistas pioneras de la performance latino-quebequense, activas en Montreal desde los años noventa hasta nuestros días. Entrevista de audio con la curadora Nuria Carton de Grammont
españolhttps://soundcloud.com/user-432657356/entrevista-entre-nuria-carton-de-grammont-y-esther-bourdages-optica
Review
2020 Vie des Arts, Actualité des Arts Visuels N. 258, Printemps 2020. Reviewed by independent art critic Camille Bédard of group exhibition: Pour mes camarades et moi : Un dos tres por mí y mis compañeras, curated by Nuria Carton de Grammont. Optica, centre d’art contemporain, Montréal. January 18-March 20, 2020. françaishttps://drive.google.com/openid=1i9wbhw62qH4gJ1W0o5l_4isVHCRGXNi
Publication
2019 Livia Daza-Paris, Towards attunement as a research method in my project of Poetic Forensics, published in THEOREM 2018, Theory as practice and practice as theory. Cambridge School of Art, Anglia Ruskin University, Cambridge, UK. Blind peer-reviewed article. Published: July 2019.englishhttps://ruskinarts.files.wordpress.com/2019/07/theorem2018-1.pdf
Publication and curated web-exposition
2019 Livia Daza-Paris, Not So Casual Conversations, published in VIS issue 1 Nordic Journal for Artistic Research Stockholm. The Issue features ten expositions within the theme “Risk”. Editor: Darla Crispin. Published by the University of the Arts and Norwegian Artistic Research Programme. Peer-reviewed exposition and article. Published: January 2019.englishhttps://www.en.visjournal.nu/not-so-casual-conversations/
Publication
2018 Livia Daza-Paris, The Visits (of which there were none), published in ANYWHERE V. II Editors Sean Lawry and Simone Douglas. Published in print by Project Anywhere and Parsons Fine Arts. The New School; and Victoria College of Arts. Blind peer-reviewed publication.englishhttps://issuu.com/projectanywhere/docs/pav.ii_2018
Artist Talk
2018 Artist presentation. Photo credit: Dirk Rose. IMPACT18 Symposium Matter in Movement Practices of resistance in art, technology, and science. Zollverein Choreographic Centre, Essen, Germany.https://www.pact-zollverein.de/en/platforms/impact/impact18
Review
2018 “Poetics of displacement in Latino-Québécois Performative practice” is a chapter from “Vues Transversales”. My work is featured by art historian Nuria Carton de Grammont and Tatiana Navallo, a scholar in Hispanic literature. Published: November 2018.françaishttps://drive.google.com/open?id=1XHBkz4OvG845nMXJ6rpxMztrCC2AlZkb
Interview
2017 Featured artist, Biennial Special Edition, Vol.18, WomenCine Makers. Interview by independent art critics Francis L. Quettier and Dora S. Tennant. Independent Women's Cinema. Published.englishhttps://issuu.com/womencine_makers/docs/special.edition/4
Artist Presentation
2016 Project Anywhere: a global blind peer-reviewed exhibition model for art at the outermost limits of location-specificity. Artist talk at Parsons Art, Media & Technology. New York City. englishInterview
2016 Featured interviewed artists by The Museum of Contemporary Cuts (MoCC) during the TransCultural Exchange's 2016 International Conference on Opportunities in the Arts. Boston University, Massachusetts, US. english
Publication
2016 Livia Daza-Paris, At the edge of the (far-End): an event revealed through rituals. ELSE Journal for International Art and Creative Media Issue 01. Published by Transart. Editor Teobaldo Lagos Preller. Peer-reviewed article.englishhttps://en.calameo.com/read/003167138eee8c6d8ee56
Review
2014 ArtNexus N.95 Volume 13. Reviewed by independent art critic Constanza de Rogatis.español https://www.artnexus.com/es/magazines/article-magazine-artnexus/5d641d3690cc21cf7c0a4179/95/jesus-guerrero-livia-daza-paris
englishhttps://www.artnexus.com/en/magazines/article-magazine-artnexus/5d641d3690cc21cf7c0a4179/95/jesus-guerrero-livia-daza-paris
Review
2014 Sobre los pasos de Antígona. Museo de Arte Contemporáneo de Caracas, Venezuela. Solo exhibition, curated by Albeley Rodríguez.español
Artist Talk
2014 artist presentation and symposium. “Hombre declarado ni vivo ni muerto" with participants: Argelia Bravo, Livia Daza-Paris, Juan Calzadilla y Eleonora Cróquer Pedrón. Auditorio del Museo de Arte Contemporáneo de Caracas, Venezuela.españolhttps://albaciudad.org/2014/09/hombre-declarado-ni-vivo-ni-muerto-un-espacio-de-reflexion-sobre-la-desaparicion-forzada/
Review
2014 Review by Latin American curator and art critic Albeley Rodriguez. Article by Albeley Rodríguez.españolLa creación: un dolor trocado en vida vibrante
Review
2003 Wet Petals. Featured article. Interview by Kathryn Greenway. La Gazette, Montréal, Canada.english
Interview
2000 The Dance Current. Volume 2, Issue 10. Featured article by Nova Bhattacharya on Livia Daza-Paris: Under Her Heart.englishhttps://www.thedancecurrent.com/issue/volume-2-issue-10
Publication
1992 Livia Daza-Paris, Carta con Son, Movement Research, Fall/Winter 1992.englishhttps://movementresearch.org/publications/performance-journal/issue-05
Review
1991 Livia Daza-Paris, Nos Encontramos, No? Choreography reviewed by New York Times dance critic Jennifer Dunning. The work was presented at “Dance Chance: Muévete". Dance Theater Workshop, NYC. Curated by Merian Soto.english https://www.nytimes.com/1991/01/31/arts/review-dance-latin-americans-and-the-world-beyond.html
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