These assembled 'Unfinished Portraits' make Book One. This artwork began from improvised performative actions based on visceral memories.

They were video recorded as they happened without second takes, nor with any special lighting or props. A narrative developed from these embodiment explorations that I organized as video chapters and my own texts interspersed with the letters from my mother. I found those letters after her sudden death in 1999. This work is committed to expressing dimensions—from deep within the body—of state violence's intangible impacts. It attempts to do so in the tradition of the 'instant dance, improvisations and performance' in which I was immersed in NYC during the late 1980s. The performativities, video and sound recordings happened in non-controlled spaces (forests and abandoned areas) in Toronto ON, the Laurentian region of QC, and Detroit MI.